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  4. Art Young: A Cartoonist for the Ages

Take our free career test to find out if cartoonist is one of your top career matches. Independent cartoonists usually work from their home studio where they can maintain their own working hours.


In some cases, cartoonists keep working hours within an office and contribute regularly to a publication. While they are not able to set their own schedule in that case, benefits and job stability usually outweigh any negatives.

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  • The Life and Dedication of Art Young: An Impassioned Cartoonist of Uncompromising Principle |.
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What is a Cartoonist? What does a Cartoonist do? Web Comics - are comic strips posted online. Are you suited to be a cartoonist? Explore related careers Exhibit Designer. Then in the fall of , he crossed the Atlantic to enter the Academie Julien in Paris. Art returned to Monroe to convalesce, and by the spring of was well enough to join two friends in producing a traveling show that featured his caricatures of well-known people, which he drew on stage to musical accompaniment. In early , Young joined the staff of the Chicago Inter Ocean, then one of the city's leading newspapers.

He was hired to draw a front-page political cartoon every day; Walt McDougal had been doing a daily cartoon for the New York World since the summer of , but Young was the first in the midwest to do the same. McDougal, incidentally, was not the first to do a front-page editorial cartoon for a daily newspaper, but he was the first to do one regularly, nearly every day. In September of , the year Young went to work for the Inter Ocean, he participated in another inaugural event when he drew pictures for the Inter Ocean's Sunday supplement, the nation's first newspaper Sunday supplement to be printed in color.

The "first color Sunday supplement" but, like the World's first color Sunday supplement, not devoted entirely to comics. During this period, Young worked with cartoonist Thomas Nast, who was briefly associated with the Inter Ocean after leaving Harper's Weekly.

The man who invented barbed wire, for instance responsible for the gashed and bleeding cattle Young had seen in his youth is condemned to sit naked on one of his fences for eternity. He went alone in order to test the waters before bringing his wife West. While in Denver, he heard lectures by Christian Socialist minister Myron Reed and British labor leader Keir Hardie and began to question the social justice of capitalism. In the fall of , Young left Denver, collected his wife in Monroe, and took her with him to New York where he freelanced cartoons to the weekly humor magazines Puck , Judge , and Life.

He also worked briefly as political cartoonist for Arthur Brisbane on William R. Hearst's Evening Journal where he joined the Hearst chorus in advocating war with Spain—a proposition he would regret having espoused all the rest of his life.

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Meanwhile, Young was agonizing about his marriage. It is matched only by his unblinking frankness in recounting his failure as a husband.

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Almost from the day of his wedding, Young had felt constricted by marital life: while not apparently in any way a libertine, he felt keenly the loss of the freedom he had previously enjoyed to pursue his art without regard to the daily "routines and binding extractions" as he said of married life, and his growing depression affected his work. After a couple of years of marriage, he separated from his wife in order to be able to work and earn enough to support her. They reconciled in , and the first of their two sons was born that fall.

In , they purchased a farm in the country near Bethel, Connecticut, but the pastoral life was not to salvage the union. They separated permanently later that year. It had become impossible to combine domesticity and creative work. I could not adjust myself to the routine of domesticity. I missed my old solitude, the easy-going way of having my meals any time I wanted to, of going to bed at any hour and getting up when I liked—unless there was special reason to arise early to do some drawing for which an editor was waiting. Day after day this kind of living annoyed me.

To be courteous? Which comes first—I kept asking myself—dutiful domesticity or draftsmanship and dreams?

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In our family relations, I seldom protested, for I preferred at all costs to avoid a scene. I began day-dreaming about open roads and fields—the soil, rippling streams, and the sunshine as I knew them in boyhood. If only I could go barefoot again, wade in a creek and feel the cool touch of plowed ground. If only I could let the warm sun soothe the back of my neck while I stood with naked feet on a grassy knoll. I would be well again mentally as well as physically.

The fact that the bars which formed my cage were invisible made them no less real. I realized that something had happened inside of me when I married that had crippled me—nothing, of course, that one could describe in words. My mind being troubled, my output suffered.

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Young may have been gay, although no one that I'm aware of has ever advanced this notion in explanation for the cartoonist's washout in marriage. More likely, Young was merely suffering from a repressive childhood. When I was about fourteen I heard a sermon by the Rev. He condemned the sexual act without qualification. Bushnell, who had seven children], I was infected during those formative years with the thought that sexual union was really a sin. The grown folks said so—so it must be so. During his early years in Chicago while living in a rooming house, Young had his first sexual experience with a young woman in the next room.

Here was romantic adventure about which I had wondered and for which I had often longed. But quickly thereafter, there was a letdown.

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Echoes of the Rev. I simply did not want to assume any emotional responsibilities other than that of pursuing my own artistic development; my career must not become sidetracked by a sentimental attachment. Before he left, he had another long evening with his rooming house paramour. She raised no objections to his leaving. I knew she was no more of a sinner than I—and that has been my attitude toward intimate relations between the sexes ever since. But an intellectual resolve is not enough to overcome years of repression. Bound by the ingrained conventions of a Victorian midwestern upbringing, perhaps the only way he could understand himself and his obvious uneasiness in a normal marital relationship was to think in terms of marriage and its spousal obligations, finding himself derelict in the latter and believing the cause of the dereliction to be his consuming interest in his art.

Whatever the case, Young's unabashed candor in discussing his failure is highly unusual for the day for any day, I suppose , but it seems, nonetheless, of a piece with his political attitudes and his professional dedication as they were to emerge. In his principles, he was as uncompromising as he was unflinching about his having flunked married life.

His wife soon moved with their two sons to California; Young continued to contribute to their support for the rest of their lives. With this, the whole thing is ridiculous: it serves no capital point.

Art Young: A Cartoonist for the Ages

Why the large format? There is a psychological component to large books. Can you make it move? How can you make money from it? Comics from the U. There are only 40 political cartoonists on staff [at U. Comics are very big now in memoirs, and the mainstream comic has changed, too. With, for instance, a Julie Doucet comic book, you get a very intense sense of this person in all of their messiness; it comes out in the line, in how they draw. For the front and back cover, we only used a four-color Pantone with gold foil, and the back cover [by Anouk Ricard] mixes those colors to create new colors.

I love that description, that the work that shines has no affectation.

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